Fabriano ca 1370-Rome 1427 Italian painter, one of the outstanding exponents of the elegant international Gothic style. In 1409 he worked in the Doge's Palace, Venice, painting historical frescoes that subsequently perished. In 1422 he was in Florence where he created his most celebrated painting, the resplendent Strozzi altarpiece (Uffizi). Gentile painted in the spirit and the manner of the older school, with glowing color and lavish use of gilt, thereby achieving a jewellike, courtly style. By 1425 he had responded to the new Florentine realism. His refined forms yielded to a sturdier rendering of figures in the Quaratesi altarpiece (panels are now in the Uffizi; Vatican; National Gall., London; and National Gall. of Art, Washington, D.C.). From 1425 until his death he worked in Siena, Orvieto, and Rome. Gentile died in Rome before the completion of the frescoes of St. John the Baptist in the Lateran Basilica.  Related Paintings of Gentile da Fabriano :. | St Nicholas and the Three Gold Balls | Adoration of the Magi | Adoration of the Magi | Adoration of the Magi | Quaratesi-Polyptychon, funf Predellatafeln mit Szenen aus dem Leben des Hl. Nikolaus von Bari |
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George Washington Lambert
(13 September 1873 - 29 May 1930) was an Australian artist, known principally for portrait paintings and as a war artist during the First World War. Lambert was born in St Petersburg, Russia, the posthumous son of George Washington Lambert (1833 - 25 July 1873, in London) of Baltimore, Maryland. The younger Lambert's mother was Annie Matilda, nee Firth, an Englishwoman. Mother and son soon moved to Werttemberg, Germany, to be with Lambert's maternal grandfather. Lambert was educated at Kingston College, Yeovil, Somerset. The family, consisting of Lambert, his mother and three sisters, decided to emigrate to Australia. They arrived in Sydney aboard the Bengal on 20 January 1887.
Filippo Palizzi
painted Antico corridoio napoletano in 1818 - 1899
Giuseppe Abbati
Italian, 1836-1868 Abbati was born in Naples and received early training in painting from his brother Vincenzo. He participated in Garibaldi 1860 campaign, suffering the loss of his right eye at the Battle of Capua. Afterwards he moved to Florence where, at the Caffe Michelangiolo, he met Giovanni Fattori, Silvestro Lega, and the rest of the artists who would soon be dubbed the Macchiaioli. While his early paintings were interiors, he quickly became attracted to the practice of painting landscapes en plein air. His activity as a painter was interrupted during 1866 when he enlisted again in the army for the Third Independence War, during which he was captured by the Austrians and held in Croatia. Returning to civilian life at the end of the year, he moved to Castelnuovo della Misericordia and spent the final year of his life painting in the countryside. Abbati died at the age of thirty-two in Florence after his own dog bit him, infecting him with rabies. Giuseppe Abbati, The Tower of the Palazzo del Podesta, 1865, oil on wood, 39 x 32 cm.His paintings are characterized by a bold treatment of light effects. He often painted a luminous landscape scene as seen through the doorway of a darkened interior, as in the View from the Wine Cellar of Diego Martelli (1866). Some of his late landscapes are in the greatly elongated horizontal format often favored by the Macchiaioli.